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Did there is a connection between Architecture and Cinematography ?
This is the question the movie tring to enter.
Days of Zucco is a short film which aims to provide a comparative reading of architecture by cinema.
It is an “architectural fiction” and is governed by a number of codes:
– The scenario of the film follows the specificity of the building, its form and its program.
– There is no other decor than the inside or the outside of the building.
– The building and architectural discourse are in the second narrative level.
– The human stories are the wire scriptwriting directors
The film reuses graphics code architecture to enable them to switch in the collective imagination. They help provide a new reading spaces in which the character evolves.
Days of Zucco tells the day of a man of thirty year within a building: the Vertou cultural center in the suburbs of Nantes designed by architecture firm Fernandez and Serres.
This one was winner of the Equerre d’Argent (the equivalent of OSCAR for architecture).
At first responsible for providing legitimacy to make a film about this amazing architectural project, the script of Days of Zucco has evolved so that the film is sufficient in itself, is no longer the only image of the building but it becomes a new object, autonomous.
with Thomas Barraud
DP: Vincent Toujas
Music: Etienne Lautrette
Sound: Bastian Paumier
HMC: Noémie Laborde
Régie: Alexis Dovera et Maryse Renker
English subtitles: Annabel Bacle
Spanish subtitles : Lilian Marchand et Reyes González
On the occasion of the Bienniale Internationale Design Saint Étienne 2015, Sam Hecht and Kim Colin curate an exhibition entitled ‘Beauty as unifinished business’ that attempts to describe designed beauty through 35 recently produced items.
Industrial Facilityのサム・ヘクトとキム・コリンがキュレーションした2015年の展覧会「Beauty as unfinished business」の動画
Soba reinterprets the traditional bamboo bench, an object still used in lots of places in Japan and which became such an almost invisible object, by adding a twist in its construction to allow it to be easily assembled.
When Martin, a South Sudanese refugee, happens upon a bull he believes is his spiritual totem, he decides to rescue it from the abattoir he works in. Once home, the bull begins to jeopardise Martin’s family’s chance at fitting in. Martin is torn between his ancient cultural identity and his family’s new life in Australia. Written & Directed by Eddy Bell – vimeo.com/user9353044
2 days in Iceland. All shot with Panasonic GH4 paired with metabones speedbooster. Sigma 18-35mm f1.8. Tiffen variable ND. Monopod. Some shots stabilized in post using Warp Stabilizer in After Effects. Graded in AE with visioncolor Osiris LUTS and Color Finesse 3.
This month I had two days in Iceland! Needless to say it was a busy two days. Some shots were underexposed…still learning!
Music is Goldmund – Threnody
VO – Glenn Close reading Pablo Neruda’s “I like for you to be still”