A video of the Visual Arts Building of University of Iowa designed by Stephen Holl.
Stephenson / Bishop were commissioned by The Architects Journal to create a short film of the new extension to the Tate Modern, The Switch House, by Herzog & de Meuron.
From the architects:
The Tate Modern Project
Competition 2005, project 2005 – 2012, realisation 2010 – 2016
Tate Modern has changed London since 2000. The impact it has had on urban design and the development of the South Bank and Southwark, has been as substantial as its influence on the city’s artistic, cultural and social life. The new development adds another decisive dimension to the architecture and environment of this quarter and beyond. With a new entrance to the South, and a direct North-South passage, taking people from the Thames through the existing building and the Turbine Hall out to a new city plaza to the South on Sumner Street and from there on to Southwark, the new development connects Southwark with the Thames and provides much improved open, public space.
Tate Modern is the world’s most visited museum of modern and contemporary art. In this next stage of development the vision was to establish a new model for museums of modern and contemporary art, by fully integrating the display, learning and social functions of the museum, strengthening links between the museum, its locality and the city.
The Architects Journalのために制作された、ヘルツォーク&ド・ムーロン「テート・モダン新館」のレポート動画。
This year, the Serpentine Galleries in London celebrate the 15th anniversary of the Pavilion commission. Starting with Zaha Hadid as the architect of the first Serpentine Pavilion in 2000, many world-famous architects have created temporary structures in London’s Hyde Park, including Frank Gehry, 2008; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Oscar Niemeyer, 2003; Daniel Libeskind with Arup, 2001; and Smiljan Radić, 2014. In 2015, Spanish architects selgascano (José Selgas and Lucía Cano) designed the 15th Serpentine Pavilion. The Pavilion is an amorphous, double-skinned, polygonal structure consisting of panels of a translucent, multi-colored fluorine-based polymer (ETFE) woven through and wrapped like webbing. The architects’ inspiration comes from the site itself, as well as from the ways in which people move through London, notably the Underground with its many-layered, chaotic yet structured flow.
Frank Lloyd Wright, legendary American architect and genius mind behind the Organic Architecture philosophy, once said :
« The mother Art is Architecture. Without an Architecture of our own we have no soul of our own civilization. ”
This quote resonated within me while I explored the city of Chicago in the summer of 2014. Wandering those streets with my camera and a tripod, I felt a sort of peacefulness that I wasn’t expecting to find in this temple of concrete and corporate business. I witnessed a natural harmony between the architecture, the environment, and the human beings spread across the city. It was summer; the beaches that line Lake Michigan were packed like seaside resorts and Chicagoans were sunbathing on their boats or playing volleyball on the sand. Everything looked surreal and so very different from the Chicago I expected to encounter. But just a few blocks away from the lakefront was the heart of the Loop—Chicago’s downtown and financial district—where lawyers, stock traders, and office workers walked alongside tourists beneath the mythical tracks of the elevated transit lines. The ‘L’, as those lines are called in the Chi, runs through and around the Loop, next to the city’s tallest buildings, which stand strong, high, and proud. That’s one thing that struck me in the Windy City—each edifice had its own style and identity, yet they combined to form blocks and tableaux that made you feel the genuine soul emanating from each neighborhood. Using the 2.35 aspect ratio and perspective, I tried to frame these endless skyscrapers and towers as if they were part of original sketches, and by doing so I hope to pay tribute to the great architects and designers behind some of the most iconic buildings in Chicago.
Directed, Shot & Edited by Kevin Couliau
Color Grading : Fred Fleureau
Motion Design : Charly Jacquette
Sound by Benzene Music
Music by Rawman
Sound Design & Mix by Loic Canevet
Supervision : Benjamin Desplanques
Location Scout : Caroline Blaise
Shot on a Canon 5D Mark III with a 17-40mm f4 and a 70-200mm 2:8 IS II on a Manfrotto 190CX Pro 3 tripod.
– In Order of Appearance –
1. Tribune Tower / John Howells & Raymond Hood, 1925
2. Aon Center / Edward Durell Stone, 1973
3. Bp Bridge / Frank Gehry, 2004
4. John Hancock Center / Skidmore, Owings & Merrill, 1969
5. Aqua / Studio Gang, 2009
6. The Loop / CTA, 1895
7. Lake Point Tower / Schipporeit-Heinrich Associates, Graham, Anderson, Probst & White, 1968
8. The Parkshore / Barancik Conte, 1991
9. Navy Pier Ferris wheel / George Washington Gale Ferris Junior, 1983
10. 500 Lake Shore Drive / Solomon Cordwell Buenz, 2013
11. South Pond Pavilion / Studio Gang, 2010