A video of Michelangelo Pistoletto’s retrospective show at the UK’s Blenheim Palace.
The exhibition view of “Koki Tanaka: Possibilities for being together. Their praxis.” at Contemporary Art Center, Art Tower Mito, Japan, 2016
documented and edited by ARTISTS’ GUILD.
courtesy of Contemporary Art Center, Art Tower Mito
Participants: Ayaka Kurumada, Emi Shuto, Hiroko Takii, Han Tong-hyon, Yoshihito Tsujimura, Junko Odagi
Facilitators:, Daisuke Awata, Ai Kano, Yoshiko Kasahara, Andrew Maerkle
Facilitator (for participants orientation): Shinichi Yokoyama (kamos)
Director of Photography: Hikaru Fujii (ARTISTS’ GUILD)
Sound and Sound Editor: Ryota Fujiguchi
Camera Operator: Shinya Aoyama
Boom Operator: Tomoya Takashima
Curation, Filming Coordination: Yuu Takehisa (Contemporary Art Center, Art Tower Mito)
Coordination Assistants: Eri Koizumi, Mizuki Usui (Contemporary Art Center, Art Tower Mito)
Assistant to filming coordination: Hitomi Ito
Assistant to filming: Aya Miyazaki
Logistics: Takashi Hirokawa, Yohei Terakado, Daizo Fukushima, Yasuo Kawamata (Art Tower Mito)
Prop: Toshihiko Arimoto (HIGURE 17-15 cas contemporary art studio)
English Subtitles: Dean Shimauchi Translations, Naoko Hamaoka, Masahiro Ochi
Production Cooperation: Vitamin Creative Space (Guangzhou)
Filming Equipment Support: ARTISTS’ GUILD
Reading Workshop Text: Shigeru Matsui Toki no koe (The Voice of Time)
Special Thanks: Aoyama|Meguro (Tokyo), Shigeru Matsui
This project was realized for the occasion of the exhibition “Koki Tanaka: Possibilities for being together. Their praxis.” at Contemporary Art Center, Art Tower Mito, Japan, 2016.
Singapore is not used to letting people do whatever they want and thus it has been stuck with a moribund art scene. But the opening of the new National Gallery aims to change perceptions of the city-state both at home and abroad; Monocle films take a look at a fast-emerging art scene.
To discover more about Monocle magazine head to www.monocle.com
In a previous video, we attended the opening night of the Public sector of Art Basel in Miami Beach 2015. This video shows how the outdoor sculptures and site-specific installations look by day. As a reminder, the 2015 edition of Public is titled “Metaforms”. Metaforms presents works by the artists Olaf Breuning, James Capper, Tony Cragg, Melvin Edwards, Sam Falls, Sylvie Fleury, Katharina Grosse, Matt Johnson, Jacob Kassay, Kris Martin, Rubén Ortiz Torres, Athena Papadopoulos, Ishmael Randall-Weeks, Sterling Ruby, Michael Sailstorfer, Tomás Saraceno, Tony Tasset, Rirkrit Tiravanija, Francisco Ugarte, Timm Ulrichs, Marianne Vitale, Ursula von Rydingsvard, Hank Willis Thomas, Robert Wilson, Yan Xing, and Yiao Yu.
Art Basel Miami Beach 2015: Public Sector by Day. Miami Beach, Florida (USA), December 3, 2015.
Fondazione Prada presents the exhibition “Uneasy Dancer”, a comprehensive survey of work by Betye Saar (Los Angeles, 1926). This exhibition, hosted at the Nord Gallery, opens to the public from 15 September 2016 through 8 January 2017. Curated by Elvira Dyangani Ose, “Betye Saar: Uneasy Dancer” is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculptures produced between 1966 and 2016.
“Uneasy Dancer” is an expression Betye Saar has used to define both herself and her artistic practice. In her own words, “my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender.” This process implies “a stream of consciousness” that explores the ritualized mysticism present in recovering personal stories and iconographies from everyday objects and images. Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African-American identity which, in her work, takes on takes on evocative and unusual forms. As Saar has said about her work, “It was really about evolution rather than revolution, about evolving the consciousness in another way and seeing black people as human beings instead of the caricatures or the derogatory images.”
Video: Andrea Cavallari
プラダ財団で行われたベティ・サール の展覧会「 アンイージー・ダンサー」の様子。