On the run up to the Stirling Prize, 2016, The Architect’s Journal takes a look into the six nominated buildings, with interviews from the architects.
“The Blavatnik School of Government will become a global centre of excellence for the study of government and public policy. The School’s aim is to teach the practice of government and leadership in ways which will strengthen communities, create opportunities and foster cooperation across the world. The School offers Oxford University a new way to contribute to the world” Blavatnik School of Government Brochure.
Such a vision requires a specific response and building.
Herzog & de Meuron’s starting point is from the inside, from the heart of the building, the Forum. This space cuts through the school as a vertical public space connecting all the levels and programs together into one whole. Central to a school of government is the idea of openness, communication and transparency, the central forum takes this principle literally by stitching all levels together. In the first instance the Forum provides access between spaces, but more importantly it provides congregation, meeting and social spaces. In Herzog & de Meuron’s proposal it’s arrangement is in many ways like that of an auditorium or a concert hall with a series of interconnected terraces that step up from the ground floor all the way to the upper levels of the School. Each terrace operates as a separate space, for example as a study area or as part of one connected whole volume for a larger presentation. The Forum is a space that allows, and positively encourages, communication and discussion, formal and informal, planned and accidental.
The Blavatnik School of Government houses teaching and academic spaces which are supported by meeting, administration, research and service areas which are all connected by the Forum. At its lower levels, the building houses large public and teaching programs. The upper levels are occupied by academic and research programs that require a more quiet atmosphere to foster focus and concentration. Crowning the School are student and faculty spaces, which overlook an outdoor terrace, the Radcliff Observatory Quarter and the whole of Oxford beyond. The School offers a wide range of teaching-space types from small flexible seminar rooms to larger, horseshoe-shaped teaching rooms.
Herzog & de Meuron, 2016
Umimirai Library is a public library in the western part of Kanazawa, a slow 20-minute drive from the city center. Designed by Coelacanth-K&H Architects, an architecture firm based in Tokyo, and opened in June 2011, the three-story self-described “cake box” was intended to invigorate this sleepy area of town, a low-lying neighborhood of dreary houses and big box stores that lacked any hubs of activity or real public space. But ask the man on the street about it and you’ll most likely encounter a blank. We inquired at the Tourism Center for directions and even they had to google it. Apparently, not much happens in this part of town — not yet at least, which is sort of the point of the library.
The building is a large white box perforated with hole-punched windows that light up the interiors naturally in the day and at night glow out like portholes of a giant ship. There is a maritime feel to the place, probably unintended, or maybe since it was designed by a firm whose name evokes the ancient deep sea the contrary feelings of floating and drifting and being submerged are all by design. We could easily imagine how much we’d love coming here if this were our local, an airy place with soft, diffused light that lends room to learn, daydream, and to remember. Song lyrics echo in the mind: “…and our friends are all aboard / many more of them live next door…” It’s a peaceful, sublime place, this literary submarine.
The main reading room with its 40-foot ceilings provides a grand scale that all great libraries have, from the NYPL on Fifth Avenue to Suzzallo on the University of Washington campus. In fact, we liked Umimirai so much more than that other notable library in Seattle — Rem Koolhaas’ central library — a dazzling structure, no doubt, but a place that’s more like a puzzle than a place to retreat. Once you get past the spectacle of its punctured skin, the Umimirai Library is a comfortably traditional place. It’s no wonder the library is filled with young children, the elderly, and students — a library’s most loyal patrons. Sure there are modern features like glassed-in cellphone booths and self-service checkout stations. But we were most envious of the spacious newspaper reading room — an old man’s joy — with its canted desks, localized lighting, and drawers full of past days. Japan is a nation where the newspaper is still very much a part of everyday life, and that Coelacanth-K&H Architects featured this reality underscores the success of its design and their intent to insinuate the library into the community’s daily activities.
For us, so much about Japan feels like a bizarro alternate reality where — like with the newspaper that’s disappearing everywhere else — the rest of the world moves right while Japan turns left. This library feels no different. These days, investing in a new library seems like a counter-intuitive act where, at least in the U.S., branch libraries close one-by-one and already meager budgets continue to be slashed. It’s impossible, laughable even, to imagine our cramped Chinatown branch being replaced by the gleaming Umimirai Library … which says everything about this library and this town and why we love Japan so much. It feels like a luxury that a space like this was newly built, a sign that that the city believes in its people, that believes the act of reading is worth investing in, that believes these things will continue to matter in the future and that it’s important for these people and activities to come together in an inspiring and provocative space.
1rst burning man for me and my wife and really happy to be one of the few drone pilots this year.
Special thanks to Scott London with whom I have had the chance to work.
Enjoy a different view.
Love to meet so many people, so friendly.
After the video , go on the blog of my wife Ghislaine , amazing photos:
Philippe from France
My blog philofdrones.com
my Facebook page : ” phil of drone ” if you want to follow me , it will be a pleasure
The Infinite Happiness is a highly unusual architectural experience. The film takes us to the heart of one of the contemporary housing developments considered to be a new model of success: the giant “8 House” designed in 2009 by Danish architects BIG-Bjarke Ingels Group in the suburbs of Copenhagen.
Ila Bêka & Louise Lemoine recount their month-long immersion inside this experiment of vertical village, nominated “World best residential building” in 2011.
As a Lego game, the film builds up a collection of life stories all interconnected by their personal relation to the building. Drawing the lines of a human map, the film reveals the building through an inner and intimate point of view. By showing the surprising results of this innovative social model, the directors question the architecture’s ability to create collective happiness.
“An ode to the social power of architecture!” Der Standard
““So original, so vivid and witty. Beka and Lemoine bring the gods down to earth.” Der Tagesspiegel
“Wonderful! Blessedly free of the customary documentary trappings.” Chicago Tribune
More information on the project:
Kenneth Frampton (Columbia University), Esra Akcan (Cornell University), and Mark Jarzombek (Massachusetts Institute of Technology) discuss approaches to architectural history today.
Sejima and Nishizawa (SANAA) presenting their new factory building at the Vitra Campus in Weil am Rhein on 19 April 2013.
More information about the new SANAA factory building on http://www.vitra.com/en-gb/magazine/details/sanaa-at-the-vitra-campus. Come visit us in Weil am Rhein near Basel!
Production: ©Viva la Function 2013
Concept, Camera & Editing: Matthias Schömer, Viva la Function
Sounddesign & Mix & Music: by Saro Sahihi, Soundbits 2013