Anthony Dunne is professor and head of the Design Interactions programme at the Royal College of Art in London. He is also a partner in the design studio Dunne & Raby. His projects with Fiona Raby use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of emerging technologies. Their projects have been exhibited and published internationally and are in the permanent collections of MoMA, the Victoria & Albert Museum, Frac Ile-de-France and Fnac. He is the author of Hertzian Tales (2006) and co-author with Fiona Raby, of Design Noir (2001). They have curated exhibitions for the Science Gallery in Dublin, The Wellcome Trust Windows in London, and the Beijing International Design Triennial at the National Museum of China.
The project began with the passion of craftsmen of Takaoka Traditional Industry Youth Association to bring excitement to their hometown, Takaoka. The short film illustrates dignity and anxiety of craftsmanship in local areas in Japan. It aims to spread the reality of Japanese craftsmen to the rest of the world and to let people know about Takaoka, the city of Japanese traditional arts and crafts. The story is about a couple, a sissy husband Takashi and a devoted wife, Suzu.
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Director : Seiichi Hishikawa
Starring : Maki Murakami , Kazuma Narimoto
Music Director : Shinya Kiyokawa
Director of Photography : Yutaka Obara
Producer : Takashi Ueno
Produced by Takaoka Traditional Industry Youth Association , DRAWING AND MANUAL
A typeface five years in the making, Google Noto spans more than 100 writing systems, 800 languages, and hundreds of thousands of characters. A collaborative effort between Google and Monotype, the Noto typeface is a truly universal method of communication for billions of people around the world accessing digital content.
Serif is a collection of screens, televisions, we designed for Samsung during the past two years.
Serif is a television that moves away from a preoccupation with ultra-flat screens. Instead, it is an object that can be turned around and manipulated. It can stand anywhere, even on the floor with its own legs. What we were looking for was a solid presence that would sit naturally in various environments, just like an object or a piece of furniture.
In profile, it forms a clear capital “I” shape, its slim body broadening to form a surface like a little shelf at the top.
We also designed the interface inside Serif.
Serif comes in 3 sizes, Serif, Serif Medium, and Serif Mini.
Serif and Serif Medium come with optional feet (that are included in the box).
3 colors are proposed, White, Dark blue and Red.
Did you miss The Revolving Room during Salone Internazionale del Mobile 2013, then this is your opportunity to get a glimpse of it.
The Revolving Room was a special installation by acclaimed designer Patricia Urquiola to celebrate her first textile collection for Kvadrat on her new and existing products for Moroso.
‘The Revolving Room is based around constant cycles. Hypnotically circular and repetitious rhythm is emphasised by the oversized embroidered fabrics’, Patricia Urquiola states. The entrance of the installation was illuminated with Philips luminous textiles on Kvadrat Soft Cells, and inside the space a series of three-sided fabric panels slowly revolve creating a dynamic, abstract and vibrant environment that constantly change as the panels rotate.
The Revolving Room was awarded with the Milano Design Award for the best installation shown by international design brands during Salone Internazionale del Mobile 2013.
“Go straight off the wall” said his dad and Dominic does just that. The film follows Dominic Wilcox, an artist / inventor / designer, on his quest for new ideas….Transforming the mundane and ordinary into something surprising, wondrous and strangely thought provoking.