A documentary film that shoots dogs that draw a sled in the snow in northern Canada.
Far away from the surf business industry and competitions, Harrison was able to make a living out of his passion; surfing became his lifestyle. Every day, he drives alone for hundreds of miles and braves some of the most dangerous wildlife in the world, seeking the wave he would be the only one to ride. See his spiritual dialogue with the ocean.
ディオールの男性用フレグランス「ソヴァージュ」のプロモーション企画として「TALES OF THE WILD」をテーマに制作されたショートドキュメンタリーの第１弾。サーファーのハリソン・ローチの思想とライフスタイルに迫っている。
The hidden world of space junk.
Adrift is a short documentary that explores the hidden world of space junk. The film reveals an issue that is troubling and beautiful, dangerous and fascinating. It begins with the tale of astronaut Piers Sellers, who dropped his spatula in space in 2006, which became the most deadly kitchen instrument soon after, travelling at 27,000 km/h. The film then journeys across the remote deserts of Chile with astronomers of Collowara Observatory, into the skies, where threats to the International Space Station take place, and through to Thailand, where a man watches space debris burn. The film includes a narration by Vanguard, the oldest piece of space junk, voiced by Sally Potter (Dir Orlando).
As featured on BBC Arts Online (bbc.co.uk/programmes/articles/3sjd1wnYD47WLzhT9dV02YH/lost-in-space-turning-cosmic-junk-into-art), BBC R4 Today Programme (bbc.co.uk/programmes/p04gv7f1), Evening Standard (standard.co.uk/goingout/arts/space-debris-exhibition-will-show-the-beautiful-and-dangerous-litter-orbiting-the-earth-a3398931.html)
Adrift is part of ‘Project Adrift’: a wider arts project at projectadrift.co.uk
Watch: the documentary, Listen: to the sound of space debris live as it orbits above you, Adopt: a piece of space junk which will communicate with you via Twitter as it orbits Earth.
co-creators Cath Le Couteur and Nick Ryan
Funded by @spacearts
Florence Kennard (Film Editor and Sound Design), Michele Chiappa (Film Editor and Sound Design), Sally Potter (Vanguard), Constanza García Ulibarri (Cinematographer, Chile), Richard Numeroff (Cinematographer, Washington), Heidi Julavits (Vanguard Screenwriter), Daffy London (Vanguard Animation), Jason Peacock (Re-recording Mixer), Tim J Matthews (Film Music), Jorge Castillo-Sepúlveda (Chile Production), Monica Greco (Chile Production), María Isabel Reyes (Chile Production), Marsha Rosengarten (Chile Production), Patrick Fry (Graphic Design), Damn Fine (Titles), Alejandro Torres (Translator), Susumu Asano (Colourist).
There’s a small stretch of soil north of the Rio Grande river that’s still part of the United States, but exists below the Mexican border wall. The Atlantic went inside this no-man’s-land to uncover what life is like in a place that feels like not-quite America, but not-quite Mexico.
Directed by: Marta Chierego
Title Sequence: Breeder
Cinematography: Javier Gesto, Gus Sacks, Marta Chierego
Additional footage shot by: George Lyon, Autumn Eakin
Edited by: Fernando Guariniello, Marta Chierego
Original Music Composed By: Mira Calix
Colour Grading: El Colorado, Madrid
Sound Mixing: Silk Studios, London
For: The World Economic Forum
Ubiquitous, mobile supercomputing. Artificially-intelligent robots. Self-driving cars. Neuro-technological brain enhancements. Genetic editing. The evidence of dramatic change is all around us and it’s happening at exponential speed.
Previous industrial revolutions liberated humankind from animal power, made mass production possible and brought digital capabilities to billions of people. This Fourth Industrial Revolution is, however, fundamentally different. It is characterised by a range of new technologies that are fusing the physical, digital and biological worlds, impacting all disciplines, economies and industries, and even challenging ideas about what it means to be human. Based on the book ‘The Fourth Industrial Revolution’ by Klaus Schwab, Executive Chairman and Founder of The World Economic Forum.