The beauty of stairs階段の美
ArchitectureA video showing buildings in Europe with beautiful stairs.
美しい階段を持つヨーロッパの建築物を紹介する動画。
eclipse短編映画「エクリプス」
Short FilmA story of a child who survives the war and wanders in the forest.
戦争を生き延び、森をさまよう子どもの話。
Rafael Viñoly’s In-House Model Shopラファエル・ヴィニオリの模型工房
ArchitectureA video of the model workshop in the office of Rafael Viñoly’s office in New York.
建築家ラファエル・ヴィニオリのニューヨークのオフィスにある模型工房の作業風景。
Metro Theatreメトロ・シアター
ArchitectureYoko YUKI – Zdravstvuite!幸洋子「ズドラーストヴィチェ！」
Short FilmYoko Yuki’s Graduation Work at Tokyo University of the Arts, Graduate School of Film and New Media, Department of Animation.
アニメーション作家の幸洋子による東京藝術大学の大学院映像研究科の修了作品。「海辺でロシア語を教えるおじさん」のストーリー。
CARAVANE PALACE – MIDNIGHTキャラヴァン・パレス「Midnight」
Music VideoA music video of “Midnight” by Caravan Palace.
キャラヴァン・パレスの曲「Midnight」のミュージックビデオ。
CORNELIUS – Fit Songコーネリアス「Fit Song」
Music VideoCornelius’ 2006 song ‘Fit Song’ PV directed by Koichiro Tsujikawa.
辻川幸一郎作、コーネリアスの2006年の曲「Fit Song」のPV。
House Vision 2 – Sou Fujimoto Architects PavilionHouse Vision 2 – 大東建託 + 藤本壮介「賃貸空間タワー」
ArchitectureProject : House Vision 2 – Sou Fujimoto Architects Pavilion
Architect : Sou Fujimoto
Location : Tokyo, Japan
Filmed & Edited by : Vincent Hecht
Music : ” Insight XX” – Julien Marchal
Equipments : Canon 5D MkII + 14mm + 24mm TS-E f/3.5 + 50mm f/1.4 + 100mm f/2.8「House Vision 2」で大東建託と藤本壮介が手がけた「賃貸空間タワー」の動画。
Flying Over Silver Plumeシルバー・プルームの雪景色
CitiesA video of Silver Plume in Colorado, USA taken from the sky.
アメリカ、コロラド州のシルバー・プルームを空から撮影した動画。
‘Girl on the escalator’ by Charles Bukowskiチャールズ・ブコウスキー「エスカレーターの女の子」
Short FilmShort film which visualized Charles Boukowski’s poem “Girl on the escalator”.
チャールズ・ブコウスキーの詩「Girl on the escalator」を映像化したショートフィルム。
The No-Man’s-Land Beneath the Border Wallノー・マンズ・ランドに住む人たち
DocumentaryThere’s a small stretch of soil north of the Rio Grande river that’s still part of the United States, but exists below the Mexican border wall. The Atlantic went inside this no-man’s-land to uncover what life is like in a place that feels like not-quite America, but not-quite Mexico.
アメリカとメキシコの国境線となっている南テキサスのリオ・グランデ川と、その北側にアメリカ政府がつくった国境壁の中間地帯「ノー・マンズ・ランド」。そこに住み働く人々に取材したショートドキュメンタリー。
In Residence: Yves Béharイヴ・べアールとサンフランシスコの自宅
DesignYves Béhar talks about his house in San Francisco.
イヴ・べアールがサンフランシスコの自宅について語る。
HASSELBLAD X1Dハッセルブラッド「X1D」
DesignClient: Hasselblad
Production: Superstudio
Creative Director: Patrik Johäll
Project Manager: Anna Johäll
AD: Simon Sjödin
Director: Daniel Mattiasson
DOP: Andreas Nilsson
Camera incl Aerials: Andreas Nilsson, Markus Wetterberg
Aerials: Aircam. Operator: Daniel Casselby
Edit / Grade : Andreas Nilsson
Post: Norbert Nagel, Robert Melander, Andreas Nilsson
Assistants: Pontus Ahlqvist, Amelia Bordahl, Robert Elmengårdハッセルブラッドが発表した中判ミラーレスカメラ「X1D」のプロモーションフィルム。
Trailer of “MIYAKE ISSEY EXHIBITION: The Work of Miyake Issey”「MIYAKE ISSEY展: 三宅一生の仕事」会場映像
Fashion東京の国立新美術館で開催された展覧会「MIYAKE ISSEY展: 三宅一生の仕事」の会場の映像。
Rayons ft. Predawn – Waxing MoonRayons「Waxing moon（満ちていく月）」
Music VideoA music video of Rayons’ s “Waxing moon” directed by Tao Tajima.
田島太雄が制作したRayonsの曲「Waxing moon（満ちていく月）」のミュージックビデオ。
Reservoir貯水池
NatureA beautiful landscape of the reservoir and the way through it.
貯水池の美しい風景と、その中を通る道。
Rei Kawakubo / Comme des Garçons: Art of the In-Betweenメトロポリタン美術館「川久保玲／コムデギャルソン 間の技」
360-degree videos360 degree movie shot of the venue of “Rei Kawakubo / Comme des Garçons: Art of the In-Between”, the special exhibition of the Metropolitan Museum of Art, .
メトロポリタン美術館の特別展「川久保玲／コムデギャルソン 間の技」の会場を撮影した360度動画。
Nike – Jazz Drummerナイキ「ジャズドラマー」
SportsNosaj Thing – Cold Stares ft. Chance The Rapper + The O’My’sノサッジ・シング + チャンス・ザ・ラッパー「Cold Stares」
Music VideoA music video of Nosaj Thing and Chance The Rapper’s collaboration song “Cold Stares”.
真鍋大度が制作した、Nosaj ThingとChance The Rapperのコラボレーション楽曲「Cold Stares」のミュージックビデオ。
Beauty as unfinished businessサム・ヘクト+キム・コリン「Beauty as unfinished business」
DesignOn the occasion of the Bienniale Internationale Design Saint Étienne 2015, Sam Hecht and Kim Colin curate an exhibition entitled ‘Beauty as unifinished business’ that attempts to describe designed beauty through 35 recently produced items.
Industrial Facilityのサム・ヘクトとキム・コリンがキュレーションした2015年の展覧会「Beauty as unfinished business」の動画
In Conversation, Yohji Yamamotoコラボレーターたちが語るヨウジヤマモト
FashionTo coincide with the retrospective exhibition of Yohji Yamamoto’s work at the V&A, SHOWstudio.com showcases a unique discussion between three collaborators who helped shape the visual identity of Yamamoto in the 1980s. In this 50-minute film shot in the V&A’s Norfolk House Music room, art director Marc Ascoli, fashion photographer Nick Knight and graphic designer and art director Peter Saville are in conversation with London College of Fashion curator Magdalene Keaney.
Transcript:
Nick Knight: I think that to see the work that we did in context, you have to look at the fashion magazines of 1986 and see what was going on in those fashion magazines. It was about a million miles away from what we did.
Peter Saville: Unfortunately, it is the beginning of where it all goes horribly wrong. I mean the coherence and the cohesion between what Yohji was doing on the other side of the world and then Marc’s position in Paris and then the part of the UK culture that Nick came from and then the part that I came from is beginning of what you would call convergence, what we do now call convergence. But it was, in a way, a quite positive and utopian convergence at that time.
Marc Ascoli: That’s true.
PS: Nick introduced me into the system, that bit came next … you do that bit … Nick, just finish that bit.
NK: So I’ll do my version of the history. I completed a hundred portraits through a woman who ran a model agency, a very good model agency, called Z Models. She used to find all the most interesting models – not the mainstream models … all the best models. She also looked around for different talent. Marc knew her, he asked her who was interesting in London at the moment and she introduced my work to Marc. Then Marc and I got on and he liked my work and I went across to Paris and Marc said OK, so do the photographs, I’ll art direct them, but who can create the – who can do the graphic design?
PS: Who said that? You said that?
NK: Marc said that. So I said well, there’s somebody who I’ve worked with over the past couple of years on and off, and I introduced Marc to Peter.
PS: So there was a convergence of mood between the three of us. All three on exactly the same wave length and it comes out in those first two catalogues.
NK: I knew a small amount about Yohji Yamamoto. He represented the beginnings of something very exciting but slightly away on the horizon. The world of fashion that I knew at the time – I was interested in the world of people like Lee Barry, Taboo, Michael Clark – very extreme. You’re talking about people who were taking almost performance art into fashion. So that was the sort of world that I was looking at and was attracted by. When Yohji Yamamoto first came along it really was a distant star, something exciting and appealing on the horizon. So in 1985 when Marc first came to see me, it was really a long way off, it hadn’t really quite got to London. It wasn’t really part of the fashion vernacular, it wasn’t what was going on, it wasn’t part of mainstream fashion. The reason I fell in love with it and the reason I ended up believing in it so firmly is it represented a very interesting vision of women. Previously in fashion women had been represented overtly sexually, especially in fashion imagery. You have got to think about what went on in the 1970s, with people like Wangenheim, Bourdin … It was an overtly sexual way of behaving and that was represented in photographers who chose fashion photography to talk about their sexual orientation or their sexual desires. And that was the mainstream. And I always felt really uncomfortable with that. When Yohji arrived, here was somebody proposing fashion which wasn’t about women articulating their sexuality as a primary way of behaving and that was what attracted me to it. I thought this is actually to do with seeing women as intellectual beings and not seeing them as sexual beings. It was enormously different to what was going on at the time and I thought it was enormously interesting.
Magdalene Keaney: So kind of starting to really hone in on the production of the catalogues and your work together. Again, we’ve talked around this a little bit. Can you describe the tension, if there was one or alternatively the joy of the kind of functionality of what a look book or a fashion seasonal catalogue is as a document.
NK: I have to stop you there, Magda. There’s a big difference between a look book …
MK: OK, the functionality of the catalogue, so either the tension or the joy, the other end of it between the kind of function …
PS: No joy – do you remember any joy?
MK: Between the functionality of the catalogue as a document or a commercial product, which it is in some way … or it operates in a commercial way.
PS: I mean it’s a work, a collective work of it’s own … this is a new way, not really done before. They were innovations in themselves.
NK: As I understood it, there was something that Yohji Yamamoto had created with Marc to se
1980年代にヨウジヤマモトのビジュアルアイデンティティをつくりだした3人のコラボレーター – マーク・アスコリ、ニック・ナイト、ピーター・サヴィルの鼎談
Property Prospectus: Uzupisウジュピス、リトアニアの旧市街
TravelMonocle Films heads to Vilnius to explore Uzupis. This creative and quirky corner of the Lithuanian capital is more than just a neighbourhood – it’s a mini-state.
To discover more about Monocle magazine head to monocle.comリトアニアの首都ヴィリニュスでアーティストなどに人気の旧市街ウジュピスをMonocleが案内する。
Marc Newson's Londonマーク・ニューソンが語るロンドン
DesignAward-winning Australian designer Marc Newson takes a tour of London and describes how it continues to inspire his work.
ロンドンがいかに作品に影響しているかについて、マーク・ニューソンが語る。
Hélène Binet, “Composing Space”ヘレネ・ビネのレクチャー「Composing Space」
Architecture“Hélène Binet has emerged as one of the leading architectural photographers in the world. Every time Hélène Binet takes a photograph, she exposes architecture’s achievements, strength, pathos and fragility.” (Daniel Libeskind)
写真家のヘレネ・ビネがハーバード大学で行った講演の動画。
Karl Moser – Catholic Church St. Antonカール・モーゼル「聖アントニウス教会」
ArchitectureMovie of Catholic Church St. Anton in Basel designed by Karl Moser.
カール・モーゼルが設計したバーゼルの「聖アントニウス教会」の動画。
Integral Man Trailer「インテグラル・マン」予告編
ArchitectureA trailer of a documentary “Integral Man” depicting the relationship between James Stuart, a mathematician / violinist and his “Integral House” designed by Shim-Sutcliffe Architects.
シム・サトクリフ・アーキテクツが設計したトロントの住宅「インテグラル・ハウス」とその施主で数学家/バイオリニストのジェームズ・スチュアートの関係を描くドキュメンタリー「インテグラル・マン」の予告編。
AFTERMATH短編映画「アフターマス」
Short FilmIn a new, predatory ice age, two brothers search for a place to call home.
Director’s Statement:
As the oldest of three brothers, I got an early start at directing – ordering my brothers Ethan and Noah in fierce make-believe sword fights in our basement. In many ways, this film is an extension of those childhood adventures: it is a story of two brothers in battle against a harsh new world, and it stars my youngest brother Noah.Over the last few years, I’ve watched Noah grow up. No longer just my kid brother, he is now one of my best friends. At its core, this is a film that imagines what it takes to grow up in a dangerous and lawless world. The story centers on a boy who still remembers what life used to be like before everything turned to ice – a childhood of birthday parties and movies and after-school cartoons. As Jem clings to his childhood, the responsibility for their lives falls to Cody, the older brother. He stays awake each night, rifle in hand, making sure they survive to see the next morning.
This is a film about a younger brother forced to grow up faster than he wants to, and an older brother who will do anything to protect the brother he loves.
***Oh, and if you’ve got headphones, use them. And jack up the volume.***
contact: robbins.jeremy@gmail.com
新たな氷河期で生き残るために彷徨い、戦う兄弟を描いた短編映画。
[Japanese Collection] Episode 5: House N by Sou Fujimoto – 2008藤本壮介「HOUSE N」
ArchitectureProject : House N – 2008
Architect : Sou Fujimoto Architects
Location : Oita, Japan
Filmed & Edited by : Vincent Hecht
Music : ” Snow Soup” – Fourcolor
Equipments : Canon 5D MkII + 24mm TS-E f/3.5 + 50mm f/1.4 + 100mm f/2.8/+ Konova Slider藤本壮介が設計した大分の住宅「HOUSE N」の動画。
Truthマリオ・ロビンソンの仕事
ArtInterview with visual artist Mario A. Robinson at his studio.
ビジュアル・アーティスト、マリオ・ロビンソンのインタビューと仕事の様子。
REAL DESTINATION各国のトラック運転手とその家族
DocumentarySpanning four continents, this short documentary takes you on a journey into the hardships of truckers and their families.
Directed by Patrick Fileti
A Collider Production
Cinematography: Ross Giardina ACS
Editor: Patrick Fileti
Sound: Abigail Sie
Music: Gustavo Santaolalla
Producer: Hamish Roxburgh
Executive Producer: Rachael Ford-Davies
STARRING
Russia: Ilya Kropancev
China: Sun Guangyong
Mexico: Ruben Lopez
India: Dhirender Singh
USA: Edward Shillロシアと中国、メキシコ、インド、アメリカで働くトラックの長距離ドライバーたちの仕事の様子と家族との関係を描いたショートドキュメンタリー。
Koh Yao Noiヤオ・ヤイ島
NatureFULL BLOG POST with everything you need to know here!! gopb.co/koh
All shot with the GoPro Hero 3+ in 2.7K mode in either wide or medium (mostly wide) in Protune flat 25p
All shots around the local children at the pier were filmed with my second Phantom fitted with prop guards for extra caution.
This was shot on my holiday (yes my passion is also my job!) alongside some stuff for my GH4 review. Koh Yao Noi is one of the least developed islands in Thailand despite being right in the middle of the most touristic bay there. It’s a little haven of real Thailand with just 18km of roads.
Please read the in depth blog post linked at the top if you are interested in knowing more about what it’s like to fly the Phantom 2 or any part of this film. Here is a little bit of tech info anyway!
Phantom 2 with Zen Muse 2 axis gimbal and FPV. Boscam TX with iOSD with Black Pearl monitor/ receiver
Phantom 2 with Zen Muse 3 axis gimbal and no FPV
Graded with FIlmConvert 10% off with code bloom at gopb.co/filmconvert
and Colorista II 10% off with code bloom10 at gopb.co/redgiant
Fish-eye removed with After Effects optics compensation. More info in blog post.
Yes i had a lot of jello issues. First time. More in my blog post! 🙂
Anyway enjoy this journey to a very different place!
Music courtesy of The Music Bed
gopb.co/musicbed
Gatlin Elms “For we never knew your beauty”タイのヤオ・ヤイ島の、海と熱帯林をドローンで撮影した映像。
Industrial Facility – Amazin Apartmentsインダストリアル・ファシリティ「アマジン・アパートメント」
DesignAn apartment designed by Future Facility with integrated products and services for the elderly, commissioned by the Helen Hamlyn Foundation on the occasion of the New Old exhibition held at the Design Museum in London.
ロンドンのデザインミュージアムで開催された展覧会「New Old」のためにインダストリアル・ファシリティがデザインした高齢者のためのサービスを一体化した住居のコンセプト「アマジン・アパートメント」の動画。
Shohei Shigematsu – Next Typologies重松象平 / OMA の講演「Next Typologies」
ArchitecturePortland Construction Specifications Institute (Portland, USA)
12 May 2015OMAの重松象平がポートランドの建設仕様書協会で行った2015年の講演「Next Typologies」の様子。
4 Hours in Veneziaベネチアでの4時間
CitiesA few days ago I had the chance to stay in Venezia for four hours. It was the first time in my life, despite living in Italy and being almost forty. I’ve been waiting for this so long that I decided to shoot a video to remember this experience.
I tried to replicate the approach of the ancient travellers, meaning that I didn’t use a map and I simply walked around losing myself in the beautiful narrow alleys of the city, trying to capture the life of the natives and trying to avoid the tourist areas as much as possible. I must say that the experience was pure gold. Venezia is without doubt one of the most beautiful cities on earth, a place you’ll remember forever.
Filmed with a Canon 6Dベネチアの日常をとらえた短い映像。
Strange Men短編映画「見知らぬ男たち」
Short FilmAbby, a penniless young drifter, decides to return home. But plans change when a stranger begins following her.
文無しになり、家に帰ることに決めた浮浪者の少女の話。
A Trip to Londonロンドンへの旅
TravelI was on a short visit to London for a few days. I was introduced to the city by my girl and I just tried to capture all the different vibes. I also experimented with color grading in this edit. Everything was captured with a Canon 700d and a 18-135mm lens.
Special Thanks to SineRider and Not for letting me have their music for my video.
SineRider: soundcloud.com/sinerider
Not: soundcloud.com/nottttt
Edit with Final cut Pro Xロンドン旅行の記録。様々な日常風景を見ることができる。
