Quick video about the exhibition on Oscar Niemeyer that took place at Tokyo Museum of Contemporary Art, last October.
Project : Oscar Niemeyer – The Man Who Built Brasilia (Exhibition)
Location : Museum of Contemporary Art Tokyo, Japan
Filmed & Edited by : Vincent Hecht
Music : ” Pra Que Discutir Com Madame?” – João Gilberto
Equipments : Canon 5D MkII + 24mm TS-E f/3.5 + 50mm f/1.4 + 100mm f/2.8
Special Thanks to Mr André Corrêa do Lago, Ambassador of Brazil, in Tokyo.
The video shows the relationship between architecture and the environment, the nature that surrounds it, the context in which it is located and how it reacts to different weather conditions.
It was filmed in India in July 2012 with a Canon 5D Mark II, and was part of the exhibition of the BSI Swiss Architectural Award 2012, which opened in September at the Academy of Architecture in Mendrisio (Switzerland).
Architect: Studio Mumbai
Architecture: Copper House II
Frank Gehry is one of the most renowned architects of our time. The Vitra Design Museum is dedicating an exhibition to him that shows large-scale models of his most famous buildings, such as the Guggenheim Museum in Bilbao, the Concert Hall in Los Angeles, and IAC in New York. More info, photo galleries and complete video: http://vernissage.tv/blog/2010/11/15/frank-o-gehry-since-1997-at-vitra-design-museum/
ヴィトラ・デザインミュージアムで行われたフランク・ゲーリー展「Frank O. Gehry Since 1997」の様子。
Stephenson / Bishop were commissioned by The Architects Journal to create a short film of the new extension to the Tate Modern, The Switch House, by Herzog & de Meuron.
From the architects:
The Tate Modern Project
Competition 2005, project 2005 – 2012, realisation 2010 – 2016
Tate Modern has changed London since 2000. The impact it has had on urban design and the development of the South Bank and Southwark, has been as substantial as its influence on the city’s artistic, cultural and social life. The new development adds another decisive dimension to the architecture and environment of this quarter and beyond. With a new entrance to the South, and a direct North-South passage, taking people from the Thames through the existing building and the Turbine Hall out to a new city plaza to the South on Sumner Street and from there on to Southwark, the new development connects Southwark with the Thames and provides much improved open, public space.
Tate Modern is the world’s most visited museum of modern and contemporary art. In this next stage of development the vision was to establish a new model for museums of modern and contemporary art, by fully integrating the display, learning and social functions of the museum, strengthening links between the museum, its locality and the city.
The Architects Journalのために制作された、ヘルツォーク&ド・ムーロン「テート・モダン新館」のレポート動画。
FOCUS ON est un documentaire qui vous propose de plonger dans les détails d’un projet. De sa conception à sa réalisation, les architectes vous présentent les principales caractéristiques qui définissent le geste architectural et son intégration au contexte. Celui-ci s’attarde sur le Théâtre Le Maillon à Strasbourg et vous en livre les dessous.
フランスのLAN architectureによる、ストラスブールの劇場「Le Théâtre du Maillon」のプレゼンテーション動画。
Six celebrated architects, including Bjarke Ingels, Liz Diller and Daniel Libeskind, here talk about what it’s like to build architecture that both matters and works in the iconic city of New York – from Ground Zero to The High Line.
“A building should not look like Lady Gaga,” says American architect Robert A.M. Stern (b. 1939), who feels that the city is made up of background and foreground buildings, and that it is important to learn how to let the buildings work together instead of isolating them.
Danish architect Bjarke Ingels (b. 1974) stresses how important it is to care about and understand the people one is designing for: “Architects need to re-insert architecture as something that people are interested in – not just architects – something that is important for society.”
“In a sense it was a non-site without ground to stand on.” American architect and founding partner of Snøhetta, Craig Dykers (b. 1961), talks about the challenging experience of building the 9/11 Memorial Museum Pavilion at Ground Zero.
According to American architect Thom Mayne (b. 1944), architecture is essentially “a way of thinking, exploring, inventing, making and participating in the world.”
American architect Liz Diller (b. 1954) discusses her fascinating project The High Line, which is a public park built on a historic freight rail line elevated plus 30 feet above the streets of Manhattan’s West Side.
“People stopped me: ‘Thank you Mr. Libeskind. You delivered what you promised’. They didn’t say anything else. They shook my hand. I thought that was the best compliment I could get.” Polish-American architect Daniel Libeskind (b. 1946) shares his personal story of getting to work on such a poignant project as Ground Zero.
The interviews can be watched in full length at channel.louisiana.dk/topics/architecture
All interviews by Marc-Christoph Wagner, Kasper Bech Dyg and Jesper Bundgaard/Out of Sync.
Produced by: Marc-Christoph Wagner
Edited by: Klaus Elmer
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016
Metric film about Mies Van Der Rohe
In order of appearance
Weissenhof Estate 1927
Barcelona Pavillon 1929
Villa Tugendhat 1930
Bauhaus 1930 (If you plan to visit, you can sleep in the former student room, a once in a lifetime experience)
George Washington Bridge 1927
Clip from Prelinger Archives – archive.org/
Farnsworth House 1951
860-880 Lake Shore Apartments
S.R. Crown Hall 1956
Neue Nationalgalerie 1968 (from 2015 to 2019 in renovation)
I also filmed the Aachen Cathedral, Seagram Building, Chicago Federal Center, Toronto-Dominion Center, One IBM Plaza, Martin Luther King Jr. Memorial Library but I have chosen not to include the footage in the film.
Mies Van Der Rohe and Martin Gropius interview: “Bauhaus Reviewed, 1919-1933”
Thanks to Yulia for helping me with the filming.
Alexandre Favre 2012 -2015
Join the curator Jochen Eisenbrand on a tour through the exhibition »Louis Kahn – The Power of Architecture«:
The American architect Louis Kahn (1901-1974) is regarded as one of the great master builders of the twentieth century. Kahn created buildings of archaic beauty and powerful universal symbolism, with complex spatial compositions, an elemental formal vocabulary and a choreographic mastery of light. Numbering among his most important works are the Salk Institute in La Jolla, California (1959- 65), the
Kimbell Art Museum in Fort Worth, Texas (1966-72), the Indian Institute of Management in Ahmedabad (1962-74) and the National Assembly Building in Dhaka, Bangladesh (1962-83).
ヴィトラ・デザインミュージアムで行われたルイス・カーン展「The Power of Architecture」の会場の様子。
In the first episode of our new series, Fear and Love, made in collaboration with the Design Museum, British architect John Pawson walks us through his superb reimagining of the former Commonwealth Institute in London’s South Kensington, which this week opens as the new home of the Design Museum. Read more on NOWNESS – bit.ly/2gK5ccQ
When asked to build housing for 100 families in Chile ten years ago, Alejandro Aravena looked to an unusual inspiration: the wisdom of favelas and slums. Rather than building a large building with small units, he built flexible half-homes that each family could expand on. It was a complex problem, but with a simple solution — one that he arrived at by working with the families themselves. With a chalkboard and beautiful images of his designs, Aravena walks us through three projects where clever rethinking led to beautiful design with great benefit.
Umimirai Library is a public library in the western part of Kanazawa, a slow 20-minute drive from the city center. Designed by Coelacanth-K&H Architects, an architecture firm based in Tokyo, and opened in June 2011, the three-story self-described “cake box” was intended to invigorate this sleepy area of town, a low-lying neighborhood of dreary houses and big box stores that lacked any hubs of activity or real public space. But ask the man on the street about it and you’ll most likely encounter a blank. We inquired at the Tourism Center for directions and even they had to google it. Apparently, not much happens in this part of town — not yet at least, which is sort of the point of the library.
The building is a large white box perforated with hole-punched windows that light up the interiors naturally in the day and at night glow out like portholes of a giant ship. There is a maritime feel to the place, probably unintended, or maybe since it was designed by a firm whose name evokes the ancient deep sea the contrary feelings of floating and drifting and being submerged are all by design. We could easily imagine how much we’d love coming here if this were our local, an airy place with soft, diffused light that lends room to learn, daydream, and to remember. Song lyrics echo in the mind: “…and our friends are all aboard / many more of them live next door…” It’s a peaceful, sublime place, this literary submarine.
The main reading room with its 40-foot ceilings provides a grand scale that all great libraries have, from the NYPL on Fifth Avenue to Suzzallo on the University of Washington campus. In fact, we liked Umimirai so much more than that other notable library in Seattle — Rem Koolhaas’ central library — a dazzling structure, no doubt, but a place that’s more like a puzzle than a place to retreat. Once you get past the spectacle of its punctured skin, the Umimirai Library is a comfortably traditional place. It’s no wonder the library is filled with young children, the elderly, and students — a library’s most loyal patrons. Sure there are modern features like glassed-in cellphone booths and self-service checkout stations. But we were most envious of the spacious newspaper reading room — an old man’s joy — with its canted desks, localized lighting, and drawers full of past days. Japan is a nation where the newspaper is still very much a part of everyday life, and that Coelacanth-K&H Architects featured this reality underscores the success of its design and their intent to insinuate the library into the community’s daily activities.
For us, so much about Japan feels like a bizarro alternate reality where — like with the newspaper that’s disappearing everywhere else — the rest of the world moves right while Japan turns left. This library feels no different. These days, investing in a new library seems like a counter-intuitive act where, at least in the U.S., branch libraries close one-by-one and already meager budgets continue to be slashed. It’s impossible, laughable even, to imagine our cramped Chinatown branch being replaced by the gleaming Umimirai Library … which says everything about this library and this town and why we love Japan so much. It feels like a luxury that a space like this was newly built, a sign that that the city believes in its people, that believes the act of reading is worth investing in, that believes these things will continue to matter in the future and that it’s important for these people and activities to come together in an inspiring and provocative space.
Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. Jacques Herzog and Pierre de Meuron established their office in Basel in 1978. The partnership has grown over the years. An international team of about 420 collaborators is working on more than 50 projects across Europe, North and South America and Asia. Herzog & de Meuron are known for designs that are at once highly inventive and sensitive to the site, geography, and cultural context creating projects that are highly specific to their place and program brief, from the small-scale private home to large-scale public and cultural facilities. The practice has been awarded numerous prizes including The Pritzker Architecture Prize (USA) in 2001, the RIBA Royal Gold Medal (UK) and the Praemium Imperiale (Japan), both in 2007. In 2014, Herzog & de Meuron were awarded the Mies Crown Hall Americas Prize (MCHAP) for 1111 Lincoln Road, Miami Beach.